Rachel is gracing another cover to promote the upcoming release of “Disobedience“, which will be released in cinemas tomorrow in the UK. Rachel is on the cover of the current issue of Violet Book magazine which is currently on newsstands. She is interviewed by Rebecca Lenkiewicz, the screenwriter of the movie. It’s a really nice and in-depth interview which you can find our press archives. We have added the scans and photoshoot outtakes in our gallery.

On what drew her to ‘Disobedience’: “I felt that way about all the characters and I think that’s what I was drawn to initially, was this script, where every character had their own really rich and complete arch and no one was using the other person just to surface the story, you know, and everyone was on a really interesting journey. It didn’t feel like anyone was pushed to the side, and even Dovid [played by Alessandro Nivola], the cuckold—you know, he wasn’t just a device, he was a real person.”

On not wanting to direct: “Especially in film, like I said, without the rehearsal, and it’s just like, all the stars have to be aligned. Sometimes I’m just amazed that movies get made, I’m amazed that they come together, there’s so many moving parts, and I do think a director often is… I would never want to direct because I’m terrible at decision making. I can’t make snap decisions, I have to really think things through and sort of waffle back and forth and play devil’s advocate and be my own worst enemy and then I come back around and— Anyway, it’s exhausting […] But I could never be a director because it’s just constantly having to make decisions, and sometimes I’ve talked to directors and they’re like, ‘You almost just fake it ’til you make it’, and so I think there’s no much on a director’s plate. I’m kind of a pest [laughs]. But that’s just my process.”

On how ‘Mean Girls’ influenced her future project choices: “I think that’s when I first started to think, like, oh, use your voice as best you can, and then, at the same time, just show a variety of people. I think that goes to show a diverse swath of characters and that women can be all kinds of things. They can be strong in one moment and weak in another, and it’s not over, you know—weakness is suggestive, and so not just get into playing the idea of the strong woman, which is quite limiting.”

On #MeToo “Yeah, how do we not swing so far the other way? With #MeToo and everything I feel like it’s been amazing. There’s a revolution happening, and just in my industry, all the older, seasoned actresses are looking back and thinking, ‘Oh yeah, we did this as well in the 60s and 70s and now it just came back around again.’ And is this just a reincarnation of it or is there real change happening? I feel like there’s real change happening. But I suppose the danger is, I don’t know, you swing so far one way and then, you know, it’s like with American politics [laughs], you wind up in this echo chamber. And then the other group suddenly feels marginalised and like they’re losing their power and start to rise up and it’s like, how do we find that middle ground where everyone feels heard and everyone feels human and everyone has compassion for all people. But I also think you kinda have to fight hard and use your anger to get anywhere.”